stretched, and done


Prima Vera Moon

Prima Vera Moon in handNot that happy with either photo–i need mid afternoon light to do it justice–that’s when the true colours and texture are best! Will probably repost then.

So. What did i learn? Colour didn’t kill me. Even though the last few years have alternated between colour pieces and naturals, the colours were usually monochromatic (with the exception of “All the Gardens Dreaming”) . I can use what i have and not have to buy more–not that i have deliberately bought any fabrics other than white in a long long long time. I can work a background, then turn it into something without a lot of pre-planning. Hand embroidery CAN be cut up. Scale can become an inspiration or an issue–i’d be happier to see these figures *much* larger–and in neutrals 🙂

Though i am not as pleased as usual when i’ve finished something, i’m still quite happy with it, as an exercise and as a finished piece. I have no emotional attachment to this one, and THAT is what means to me that something is meaningful art. I’m sure however, that i could do something this way, in colour or not, that would be psychically linked. And i think *i* stretched a bit with this as well: colour, “story/subject”, time line. (15 days from initial idea and layout to completion.)

I have a lot of ideas in the sketch/notebook about how and where i can do this type of work in my more “serious” work. It definitely WAS a break for my brain though, not worrying about concept, what fit with what design wise, and no size or theme limitations.

Along with Jane Dunnewold’s current class, i have been reading other “thinking” blogs. I may not agree with all said there but this particularly bitey fangy post made me laugh and nod my head.

And now it’s time to get back to the other stuff: Leighton plans, translations of current lessons learned, and yes, still more “Screwing Around, With Intent”.


2 responses to “stretched, and done

  1. Pingback: gonna rock some pockets | albedo too

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