When i created these fabrics during the 2016 Contextural summer residency, i knew i liked them but stashed them away as for use in a Someday project, thinking they would probably just be cut up, and incorporated into other projects.
They are beautiful. They can stand on their own. I hadn’t really really Looked at them. The softness of the colours, the strong yet delicate markings of rust, the motifs that occurred during the process are perfect for a background, while having enough interest to accent in some areas as i move through this piece.
I didn’t want a seam down the middle, so i tore one chunk in half and attached it to either side of the main fabric. This is going to be a large work, as you can see by the yardstick left in there for scale 🙂 (I’ll have to have an appropriately sized stretcher bar set custom built, as i haven’t this size in the stoodio!) The seams aren’t terribly obvious, because of the similar colourings and process, but they are there enough that i wanted to segue them into each other. Immediately, i knew i wanted to use my technique of melding the fabrics into each other with a multitude of seeded back stitch. (I used that technique a lot on “Ebb and Flow” from 2014, on the indigo pieces.)
On New Year’s Eve, i watched part of “Expendables” and then all of “Expendables 2” (i deliberately choose “Cheesy B” horror or action films to keep my mind and fingers activated, but not concentrating on the tubage.) and in the space of three hours, managed a section of 12×2″. These seams are 46″ long so i need to update my watch list!!! HA! “You WILL be a-seam-alated!” (I think i’m SO funny….) (Edit: as this post goes live, i have another 13×2″ done—yeah!)
So far, only two variegated colourways have been used there, but a third will pop in as well. One i am going to run out of, hopefully not until the seams are done, because it’s just not available anymore! The other two can be ordered again, and hoofies crossed that the batches aren’t so different as to be noticeable to anyone but Moi. Below, though the differences are not terribly apparent–which is kind of the point of blending—-i’ve used a silk in the centre, edged with a Caron Wildflower Sticks and Stones. Those edges will be edged into also with another Caron Wildflower “Pebbles”.
Unintentionally, that “strip” echoes the squiggly lines of dye and rust. The subconscious mind at work i suppose, because watching cars blowing up and manly posturing with bazookas sure didn’t influence it.
On the fun side of things, i pulled this out and have started playing with it. A riff on the original Beautiful Bones from 2009, and conceived in 2010, it’s mindless and silly, and an enjoyable change from Serious Art!