Honestly, i haven’t done any ecoprinting in probably over a year, so thought i’d best get back at it. I need to refresh my skills for the upcoming res and for some slated workshops in the fall.
Below, cranesbill on privet dyed silk with annatto overlay:
Very soft but quite clear detailing, but you’d have to be very close to appreciate the nuances.
Dock dyed silk, with Grevillea ecoprint, softly coloured, but not wishy-washy at all. And look at the detail from the Grevillea buds!
One thing immediately apparent with this method, is that the base colour has to be STRONG, as some of it disappears in the cooking method. (Steaming has NEVER worked for me.) Next up, some premordanted fabrics to be dyed. In cotton, because that’s what i work with, and prefer, i’m hoping the recent gallnut excursions help with colour development. I never had problems before getting richly detailed, deeply coloured prints from leaves and flowers on cotton/cellulose fibres, but now i want true depth, more colour laying and dye fastness also.
Oh wow! I really like that dock-dyed one with the buds! Those lines from the stems (?) are wonderful!
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aren’t they pretty? this variety of Grevillea is terrific for more graphic effects
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