Well, how about that. Acidity, alkalinity, science, weird science, real science. It was mentioned to me that perhaps the soy pre-mordant was too acid? On the advice of a friend, i hucked in some soda ash, to “blue” it up a bit–after all, nothing to lose at this point! Edit: it did change the colour to a more blue-purple, but the bath had already exhausted, so i got minimal colour— so weak that the poor babies shouldn’t have been taken away from their mommies! (Is logwood supposed to exhaust that fast????)
So, the next pot will be using the reverse osmosis filtered water, and NO soy pre-mordanted fabrics (i’ll save them for the indigo).
I want to use these colours together, in some new work, logwood top, bottom 2 potassium permanganates:
The logwood in proper light is definitely a red-violet, not a blued shade, but i’m starting to like all the variations. I may not get the results that everyone else gets, but that’s kind of the point for my purposes. I want to follow the tried and true METHODS, but i’m happy to get different colours, as long as they are not weak and namby-pamby!
The Osage dyepot was predictable (WHEW), with no surprises there 🙂 Warm yellows with a hint of orange, like a summer sunrise. I might throw some narrow slices of that too in the mix of fabrics in the above photo.
I’ve been collecting the blooms from my “black” Chater’s Double hollyhock all summer, and with only a few more blooms left on the plant, this is the sum total:
Left below, the Chater’s and right, my single deep red and burgundy–they don’t look that different dried, except for their size, but i’m still hoping the colour will be richer and deeper.
Of course, there’s only enough to do a couple of skeins of thread, but that’s part of the game as well 🙂
albedo too 
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