Above, original drawing/painting from 2012, below work inspired by the sketch, started in the same year (!!!!):
(these 2 clickable for enlarging)
She still needs a few more stitches, and a name though…… As much as i love her, there’s been something holding me back with her, still undefined.
Playing a bit in photo editing (i use Irfanview, a free program and relatively easy to use), i put her into “negative” and got this lovely indigo surprise:
Now THAT gets my juices flowing. Any juice these days is appreciated. I’m still wavering mightily between giving it all up, and
scrabbling searching scraping probing studio and psyche for new work.
This necessitated buying some cheesecloth to supplement the harem cloth. Harem cloth is sheerer than most cottons, but not quite transparent enough to layer as i wanted for colour gradations. And i’m too tired these days to worry about purism, so i’m combining indigo dyed cotton , with some fabrics i dyed with commercial dyes as well. I’m using what i’ve got, in other words. I don’t see a lot of use with natural dyed threads either, by other artists, so ain’t gonna fret it. (Though i do have them in the shop….)
Those ***“commercial”dyes are quite pretty on these soft fabrics, cheesecloth left and top, harem cloth bottom right:
Need a few darker ones, as well as a dark indigo for the base, and then i can start laying out, and (probably 🙂 ) stitching at work.
***“Commercial” dyes in my books are everything from Tintex and Rit, to Procion, Pebeo silk dyes, Jacquard products, and other products that are usually predictable colour-wise for everyone.
Its great when playing with digital manipulations what can inspire or change our direction! I love the inverted image!
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loads of new ideas for sure, and brainstorming to translate to fabric! i just don’t like it when the digital is the “finished” piece!
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(((Arlee))) here’s a toast to using bold bright fabulous electric colours!
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