Because this is a large work, it’s a bit problematic sometimes to work AS a large piece: you have to shuffle around the whole thing, pinning it into folds so you can have access to the area you’re working on, making sure you don’t stitch one section to another, or to your pants, dragging cat and dog hair into the mix, and having room to manouevre it. On the other hand, cut up like this (because i wanted different effects with the natural dyes for each area), it flops around loosely, and the tension is hard to maintain.
This means both wings and the figure have to be finished, and then attached to the backing fabric they’re going on, and then *that* has to be attached to the rest of the floppy piece. I auditioned several fabrics to be the backing fabric, and because none are big enough for the whole area behind the wings and the figure–and i didn’t want all the sections that show to be the same anyways, i’ll have to do more stitching on those thin visible slices as well, to “blend” the joins. EDIT: i just realized i can back the wings and figure as one piece, work the “background” large area, THEN attach all the parts together.
I auditioned several fabrics: Indigo–WHOA, lovely but too bright–and i don’t have enough for both wings, even pieced behind where you can’t see the joins. It also wastes this indigo piece, as most of the patterning on it would be hidden. If i was going to use indigo then, i would have chosen a more solid dye job.
“Filler” cloth, deliberately designed for backgrounds or for “fussy cutting”. Nope. Motifs too small, too scattered, too much white.
Rust, maybe too “linear”, too “white”.
Velvets naturally dyed in the last week. Too much?
Nope, as in NOT “too much”, YES as in WOW. Admittedly since dyeing these velvets, i’ve been aching to use them, but honestly i do think this really warms up the whole piece.
Though this is very haphazardly pinned on my design wall, i can really see where she’s going now. Warmer coloured threads for the paler surround are now a possibility also.
The wings glow with the velvet behind . . . standing warming her back in the sun or a fire? I’m sure in your part of the world at the moment you can relate to that!
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She did need some glow, some fire, some life!
(Fortunately we are far enough in Central Alberta from the fires in the US west, that we’re not getting smoke this time, but the sunrises and sunsets have been rather spectacular.)
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I like the velvet best-warm color, soft texture.
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I do like the glow of the wings -gives her warmth.
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oh yes (((Arlee))) the silk velvet ignites lift off!
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Thank you all 🙂 I’m feverishly finishing the second wing now so i can start assembling and stitching on the velvet!
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