first stitches, mixing it up

I continue to study the embroidery stitches used on Central Asian textiles, but the other day while consulting Dr Google, i found this:

(Source, sold item on eBay) This is actually Swedish Huck “weaving”, a form of counted thread embroidery primarily used on household linens. Some of it looks very intricate, but is actually wonderful combinations of colour and simple line. (TIP: search huck weaving, rather than huck stitch.) Since the primary reason for looking at the CA embroideries was to learn new stitches, and new approaches, this still ties in nicely with expanding the repertoire.

I found it best to attempt it by first marking out some lines on my diamonds, because there are no threads visible for counting spaces, as there is on linen and other fabrics with this type of weave. You can see from this stitch diagram, that the lines and counting are spaced very evenly, but offset so there’s a “brick” patterning in that area.

Too, the long floats of the cotton thread used traditionally are a bit heavier, resulting in those lovely curves.

HA! because it isn’t a fabric that can have threads counted, oh my. Not quite as elegant as the above example, but i do do do like it, uneven-ness, angles and all. One can’t work perfectly, because only the Gawdz/Gawddessez are allowed perfection 🙂 I want these sections to be less “obvious”, decorated, enhanced, so i chose instead to use a toning thread, quebracho rojo on the madder background, and will switch to deep cochineal when i run out of the qr. (Time for a big dye session again, running low on a few colours!) Even though it’s a silk, which you would think would give sinuous curves to the longer stitches/floats, it’s too fine to give that lay to the thread.

Thank goodness for washable markers, or this would be a horrendous mess 🙂

 

 

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