no manual included

Trees and moons and Spring are on m y mind–though *that* is far away right now, with -21C to -25C projected for this coming weekend. (My son has been in Uganda since the beginning of November–is he gonna get a shock, trying to climatize again to Alberta weather, after almost 2.5 months of African heat!) I’ve picked an indigo overdyed osage cotton, 2 different velvets for another blue moon, a previously screensprinted and then stencilled indigo cotton, and a hunk of the most wonderful chartreuse velvet i only hope i can replicate again! That one is the right side and you may notice a funny bit of photo editing to show the correct colour, a square of green set in the yellow–it ain’t yellow, but the studio is so wrong for photographing colour, and i was too pooped to drag everything upstairs and anyways, it’s a grey snowy day, so bear with me 🙂

Here’s the indigo over osage:

Above is the piece of cotton i will use as the background (has bluer tones), below is a larger piece (greener tones) that i am drooling on and fondling:

I had revved up my indigo vat again on the weekend past. (Actually i had to start from scratch as the originals had to be dumped for the move…..too little to save, and too much chance of spillage or oxygen overload as it sloshed on a truck!) First results were not encouraging, but after asking in an indigo group what the problem might be, have concluded it might have been the tannin premordant, *and* the cutch, which is *also* a tannin. See the grey around the darker marks of indigo? (All photos in my posts are clickable for larger viewing.) I like the effect, but if it doesn’t “stick” well, it’s not a good practice if i wish to flog my goods later! (It also appears to have stripped the madder…)

Apparently tannin repels the indigo, something a lot have discovered with indigo and ecoprinting. Of course, checking my Boutrup/Ellis book, i should know better anyways and do the indigo first, THEN the mordanting, then the overdyeing. The two osage/indigo pieces mentioned above were done after this debacle, and though of course they were premordanted with tannin and alum, they don’t have as much tannin as the tannin/cutch piece, so the indigo struck properly!

I’ve been meaning to add less expensive, ready to use items to my inventory as well. Here’s the first test piece, a cotton neckscarf, clamp shibori-ed, and modelled by the ever silent Madame LaToussa.

I do like that, if i say so myself! The only problem is that the scarves were obviously hemmed with a polyester thread, but it’s not obtrusive enough to bother me (or probably anyone else) greatly. Barely noticeable.

I also have today clamped a shibori indigo dyed very hairy very scarey very contrary chenille scarf, ready to overdye, and as i mentioned in a previous post, i will do a post about that. I’m pretty sure it’s a failure, a funny one, and probably still wearable, but definitely a failure. You can judge for yourself at the time of showing 🙂

I’d have a nap now, but Greyman will be home in several minutes.

I will have a nap now.

 

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