Pick, girl, the roses

“Collige virgo rosas”, a Latin phrase found serendipitously on my birthday yesterday–i’m a Virgo, though i don’t believe in that either :)–it loosely is a carpe diem style saying for young people, but any of us can stop and smell the roses.  This will be the second of the Ensphere series. (First was “Sotto voce” in a previous post.)

I fell in love with these velvet dots when i was working on some of my moons a few years back, and woke one night with a whole series in my head. Of course, in daylight, all i remembered was lots of dots and Latin. I’m no completely dotty Yayoi Kusama, or a minimalistic Judy Martin, both of whom i admire greatly, for/from different perspectives, or a very organic Jude Hill, another of my absolute favourite artists (I’m sure you all know who she is, an article i wrote about her here), and circles crop up an immense amount it seems in Women’s Work (as the trope is….). I think with enough years put into one’s work, one eventually experiments with simplicity, and this is my time.

It’s not just the tidy shape, it’s the colours, textures, depth and light effects.

My start:

Look at these colours, swoon, natural dyes on silk/rayon velvet:

Madder, cochineal, and quebracho rojo, threads of cotton, silk/wool blend and silk in cochineal, madder, quebracho rojo, and no doubt some indigo with tansy, solidago or osage, for greens.

Your thoughts? (Spammers, good luck on that.)

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