…in the eye–and in camera in this instance–of the beholder!
Here’s another thing i love about natural dyes: NUANCE. These two photos are of the same pack of goodies! Taken at different times of the day, the light conditions really show the subtlety of the colour components that make up each dye. Below, these are mixed batches of cochineal, madder and solidago. HOT CRAYONS!
I can “replicate” these in a sense, knowing what’s in the pot, but when you use “leftovers”, you can’t be sure of the proportions. Just/trust letting the pots do what they will, is much more satisfying. Oh sure, there have been a few Muddyduds along the way, but hey, overdye to the rescue!
One of the other delights of these deep colours is that they will last longer. I cringe when i see some of the weak pale colours that are an IG “standard”. Some of them *are* pretty, but they’re NOT going to last–to me it’s like putting 1/16 of a tsp of cinnamon in the cinnamon rolls–it’s discernible, but barely. Are people not aware of WOF, or are they being too cheap with it, or do they think it makes their pound of madder last longer which cuts their costs??? Here’s a perfect example, “madder dyed”:
How long is this going to last, under ordinary conditions of wear and light exposure, even under following “special care instructions”? I’ve seen clothing lines blithely calling this (and that photo specifically!) naturally dyed, and then producing multiples of the garment–that to me IS cheapness of production. Ever noticed that samples from extant collections are (for the most part) still VIBRANT, or at least very indicative of the original colour?
And yes, i DO sell softer colours, but they are NEVER as insipid as the above! There’s still a good percentage of WOF in my work 🙂
Anyhoo, that’s my two cents. I have other offerings in the shop as well, if you care to peruse them, and thank you again to all the Lovely Blossoms who have the faith and trust to support my small endeavours.