Sweating bullets when it was done.
Sweating bullets when it was done.
Day three, when ever that was (i’m losing track of what day i worked on what piece for this commission):
Added a bit more shading as well. Though i don’t want the figures to stand out too much once they’ve been applied to the background, i want them to integrate a bit more as well. That slight purple addition references some of the shades of brazilwood on the main cloth.
Day whatever, but as of March 14th:
The left panel is within two hours of being done, at least the hex memory part……
Ya just gotta stick with it, and try to ignore it.The irritation, i mean, not the work. A delicate touch is tough when the fabric can’t move. I’m used to warping, bending, folding when i stitch: it’s part of the fun.
I can’t take this one anywhere either, as packing it will probably shift the cloth, which has to stay taut and on grain. Haremcloth is wonderful, but a bit of a shifty thing 🙂 I loathe using hoops, however the tension was necessary for this. Not looking forward to the larger figure–until it’s done 🙂 At least i know how i’m going to treat larger areas now with the other figure(s). (Still can’t decide if i need a third, or if after doing a first layout on the background will show that two is enough.)
I’m still not entirely happy with the shape of the foot, but when it’s applied to the background, can adjust that.
Subject matter sometimes determines approach. My usual method of applying elements for this work just wouldn’t suit, as that method is “heavier” and more solid, even with holes added 🙂
Because of the scale of the projected piece, i didn’t want to just jump in this time, even though i have plenty of ideas and a reasonably firm vision of what’s going where and how. I spent yesterday doing more tests, and must say i really appreciate the virtue now of sampling first! The first run through always takes more time than you thought it would–and yet, less, which is always a good thing 🙂
A single layer of cotton harem-cloth is a beautiful thing. It’s a little shifty, and takes a firm grip to keep it in line, especially when you don’t like using a hoop, but oh i do love the effect.
I didn’t want him to be such a stark white however. First i tried coffee dyeing. Nope, too close to the white. Rinsed that out, dabbed on WEE WEE bits of Procion. Nope, too strong, and the colour was too red (that “rust brown” is definitely too red). Washed that out, or most of it, then got out the paint again. Good enough for sampling purposes, i’ll watch the dispersion and blending rate more consciously on the real deal, but am rather pleased.
I almost wish i hadn’t cut out centre portions, but only because the placement on the background didn’t take the dark areas underneath into consideration. Even so, i think it’s quite the look i want, but that fine fine grey thread i used was a pain in the Bazotski –i think i need new glasses again……………..
The size of this is a standard “A4” page, and it scares me a bit to think of the shifting on a larger scale. I may have to dig out my largest hoop after all: the grain and weave of this fabric is so malleable, that i don’t want stitches skewing the angles. Because the larger pieces will have more interior space as well, that means more stitching inside, whether on the harem cloth itself, or in any voids. Best to get a handle on it right from the start!
Working this little trial also has the advantage of adding more ideas for other work. I think it will show up on this somehow:
Poor girl has been sighing and pouting in the stoodio since the beginning of September!
The Prism tie dye threads are what they are..a yellow, chunk, a blue, chunk, a pink, chunk, no blending except for an iota where they meet. These are the threads people hate, who hate variegateds. No subtlety, no sneaking in that bridge of green, orange or purple.
That being all said, they are kind of fun, definitely hippie and pop. The stitch used obviously makes a difference, a spiderweb reminds me of the old Ojo de Dios we made in the 70’s, wrapping hideously coloured synthetic yarns around wire coat hanger frames 🙂 I can see some really nasty stuff happening with these threads in the future. They are a bit coarser than DMC, Anchor and the like, coarser even then the original Prism line used to be.
For 4.99 a package for 18 solids and 18 variegateds, i ain’t gonna complain too much! March 2013
I haven’t touched them since i made that entry on my old blog. The J&P Coats colourway 0250 though isn’t available anymore (used on the Pop Moon in the previous entry), which is too bad since it was a great blended rainbow effect, so again, use what you have.
I’m definitely feeling the need for some colourwork again. Maybe because the summer garden this year has bloomed so late–my Mexican Torchflower FINALLY has a blossom at three feet high (they’re supposed to get to 6-8 feet…), and with the exception of the sunflowers everywhere, nothing was fantastic this year, despite all my efforts. (Gardener’s rule: NEXT year will be better/different/easier/sunnier.) Awhile ago, i culled my fabric stash and kept a few loud 70’s and 80’s prints, and with the recent re-discovery/re-opening of the bead vault, i should be set for a few good sessions 🙂
And by the way, this one is available in the shop now, shipping included, and at our low Canadian dollar value 🙂 😦 : EDIT: SOLD
I’m working on more naturally dyed moons as well, and maybe some new approaches to the Alberta Rose series (2013) again.
When i re-organized my galleries, i realized i used to use a lot of beads, sequins and metal bits in my work. I still have drawers and drawers! No point in saving them for the coffin, unless someone volunteers a good big glue gun, because i doubt anyone has enough time to stitch them all on, before i go underground…………………except i want a green burial, so that’s not gonna work either, millions of itty bitty plastic, metal and glass thingies getting tangled in the roots that grow over me 🙂 So use ’em!
I’m not going to suddenly start encrusting everything in sight though, and certainly a lot of the work i do does not need orange sequins or blue crystals! But it might be fun to add unexpected ingredients or components.
Previous work, some of which was heavy on the beads 🙂
While i’m stitching on more indigo and naturally dyed moons, i also pulled out some vintage brights as well, a late 70’s rayon:
And our newest rescue! My MIL has had “custody” of Cosmo for a few years now, but with her refusal to admit he has a health problem–really really bad teeth, due to her really really REALLY bad care of him–and her denial even after a vet appointment, that there was anything wrong with him (she even refused to give him the painkiller prescribed!!!!!!!!!!!!!!), Greyman went over on Friday night and pulled him out of there. He is now OURS, period. We got the expected hypocritical phone call “Oh i can’t sleep worrying about him” after the fact, but as far as i’m/we’re concerned, if you can buy several new couches in a year, new stereo equipment and those stoopid Franklin Mint “collectables”, and then plead poverty at the mention of the bill for the dental work needed, you can go &^%* yourself. We may not be the richest, but we WILL take care of our babies.
Cosmo is brother to our other white cat, Elmo (Mo), in the inset photo. Cosmo is partly polydactyl, front feet only, Mo is normally toed on all 4 feet, and there was a third brother who was completely polydactyl, Leo, who unfortunately passed away several years ago. Cosmo has spent the last two nights with me, but has now settled on my stoodio worktable, ignoring and being ignored by the other animals (Mo, Slapshot, the cats and Nessie, the DogFaced Girl)–except for the occasional drive by hissing and swinging Slapshot. Cosmo is of course, rather grouchy right now, but still a sweetheart, and we know after his teeth are fixed, will settle in more comfortably.
I know a lot of people think i am a nasty, crusty, people hating bitch (and maybe rightly so, because i don’t like most people 🙂 ), but when it comes to animals, don’t screw with me.