new threads, and the hunt for the elusive lavender

YUMMERS.

Below lac, brazilwood (sappanwood), and onion, and combos:

 

A comparison of the previously dyed onion:

Some of these will be in the shop, announcement to be made when listed 🙂 Obviously being as delicious as they are, i have reserved some for a special person: ME!

The onion gives greener tones initially, but there doesn’t seem to be much difference when overdyed. My lac and BW however were a stronger WOF for these babies, so deeper shades resulted. YUM!

These are from previously used dyebaths, after doing cloth. I don’t waste a drop! From Lac, the natural dye that shows up in searches as anything but a natural dye: lac, lac with iron, and eucalyptus:

These above are included in a new fabric pack in the shop.

And a combination of the two (because with natural dyes, purple/pink and yellow don’t always make mucky brown):

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I have had through my dyeing days (years now, wow!) ONE skein of lavender thread. I don’t remember what i used, but i suspect it was cochineal, and the thread was silk. I’ve been partial to lavender as an accent with rust and neutrals since the days when i first started all the hand stitching. The ones i used below are commercial, but there’s no reason not to try for a natural version. The purples and lavenders on the fabrics however IS natural, from Brazilwood, and i covet those various shades!

Mother’s Heart, 2013:

The a Difference Between A Plum, detail, 2013:

Strange Soul Take Flight, detail, in progress, 2013:

(2013 was a very productive year…..)

The Mini Goddess Moons, 2018, lavender leaves on 3 of them. (These are *completely” done in natural dyes, both fabric and threads.) I like the way the lavender gleams amongst all the stronger natural dye colours.

 I suspect it’s time to get the cochineal out and try weaker solutions to get that glowing shiny shade!

 

 

taken to task….

From the PM i got, someone (some many?) thinks my bad avocado results are because i don’t know what i’m doing………

I beg to differ. Cotton is one of the hardest fibres to get good results on, with natural dyes. I follow Maiwa’s insightful, clear, well researched methods, from scouring to mordanting to dye procedures for each dye. (Don’t lump all together, as each one usually requires a different set of parameters!) My results before this were lousy, but these instructions became my “go to”. (My other trusted source is anything by Jenny Dean.)

You’ve seen these before, but for the person/s who have taken me to task, eat your words please.

My ecoprints on cotton are rather spectacular too, if i do say so myself.

Lac and logwood on cotton, with eucalyptus leaves, oak leaves and osage strips.

So, let’s see *your* results then, Miss/’s.