Some “new” colours because of the different water (which is a good thing), but i want some of my “old” colours back as well! But i CAN live with this, if i can have both 🙂
I can’t pretend Spring is coming with the coming weekend supposed to be in the minus20’s(C), but i can smell Summer right now: I had a pot of rhubarb root simmering, an excellent dye the last time i used some. The fragrance lingers, even to the next day, and always reminds me of alder burning in the old wood stove on Bowen Island. This is a test of sorts too, as the first time was freshly dug and cut up, and this particular bag has been in my cache since October of 2015, so very dry. Some dyes just don’t do well dried! Checking the pot after an hour assured me though: there was LOTS of colour seeping out.
Silly me though! I forgot to weigh the bag and have no idea how much i used. I decided to start a separate note book for my silk work, as it’s a different kettle of canned worms than other fabrics, and the colours are amazing! And guess who didn’t take notes last year when she was doing all this? I mean, i know if i used quebracho rojo, or madder, or osage obviously, but what post mords or post mods did i use? What mixes of dyes did i use to get other colours? How many times did i use that bath? I didn’t even keep swatches!
Rhubarb root has more of an affinity for protein fibres though: all the trials i’ve done on cotton or linen gave at best, a pleasant warm toned pale yellow, and even post modifying doesn’t change much of that. (Except for iron which which pretty much *always” turn any natural dye to shades of charcoal!)
Here’s my array of tests, in order of post-modifier: copper, iron, soda ash and vinegar. (Unfortunately, i threw out the ammonia for some reason, so couldn’t try that…) Again, little change on the linen.
For some reason, there also seems to be little difference in the colour when overdyed with indigo, but my vat may be too strong still. This is the one time i wish for a weaker one! (In *my* experience, a weaker vat gives a better chance for the first colour to influence the outcome.)
So, did i lose you with that highly detailed ireallydon’tgiveashitphotoijustlikecoloursandb? 🙂 (I myself quite like the orangey soda ash results, and the iron.) This is how we roll, us natural dyers!!!! BUT, once we know the general outcome of all those steps, we can play confidently and happily, mixing, mixing more, and mixing again. It’s not just a matter of throwing an avocado in a pot with some pretty muslin 🙂 And more tests will now be done, in overdyeing with *other* dyes: quebracho rojo, cutch, madder, cochineal, etc etc etc.
Speaking of misconceptions about dyes……..this article was brought to the attention of several natural dye groups yesterday. Quite an uproar ensued, because while yes we should be more aware of our purchases and the effects mass consumerism has on the world, we should also not have to, as natural dyers, be misrepresented by an uninformed “trend forecaster” belittling us with comments about natural dyes being “Subdued and melancholic…….”, even if she *is* trying to be “on trend”. Except for aforementioned avocados maybe, HA.
The ennui that rises from this article is a palpable stench. I would guess that’s the subdued and melancholic way of saying “i just don’t give a damn”. But then she of course redeems herself with pithiness because “She is given to issuing prophecies such as: “I think we will get very inspired by blouses.” *My* blouses are pretty vivid and lively 🤣(This is as bad an article as one i read by Germaine Greer, who hadn’t a CLUE about textiles, and textile art. I wrote about that on my old blog, here, and here. If you’re going to set yourself as an expert, do some research, for jeebly sakes.)
Coming, coming, coming, soon i promise! Still fondling and sorting these silk velvets, trying to decide what colours should go together! Tell anyone who says “natural dyes are boring old browny beige blahs” that they are SO wrong
I hope to get packs in the shop by Friday evening, and yes, these will be included in the current sale. There may even be some scrap packs of these! SEVEN PACKS NOW LISTED SOLD OUT
When chemistry has its own way.
I bet i couldn’t replicate this if i tried…..I had used this tannin bath already twice, and it was filtered water, but the tannin had started to oxidize, and it also showed me that either my filtered water system leaves some iron in, or that the original scouring had left a residual, BUT it’s the most gorgeous silver and fawn i’ve ever seen. The right side is actually the bottom edges, and the left is the middle where it was folded over a rod to hang to dry. The iron migrated then to the bottoms so it was still pretty “loose”.
I’m hoping that after a good rinse, it’s much the same. (Silk velvet)
I’ve had a love affair with velvet since i was 12 and found a Vogue magazine that advised “A pant of lavender panne velvet is the essential in a bohemian styled wardrobe.” I’m not sure *how* i thought my 60cent an hour babysitting jobs were going to finance the purchase of an $800 garment, but that was obviously beside the point (I’ve never forgotten that quote either…) Natural dyes coupled with silk velvet have me quite giddy at the moment. 😍
I just have to fire up the indigo pot, do some dye combinations and extend the colour range a bit more as we need greens, blues, purples, almost-blacks, different pinks!
Listings will start on July 5th, with 2 differently sized packs, and as always, i refund any extra shipping paid!
Oh, but it’s a pretty colour anyways.
Well, i can always overdye it.
But it was/looked clean when i bought it to dye.
It doesn’t matter, my clients like this colour.
But Famous Author *always* does this.
I don’t wash these anyways.
Did too scour: I washed this with my socks, before i dyed it.
Vinegar is too a mordant, you freak.
You’re just jealous i got dye from strawberries, ______, _______ and _____. (Insert appropriate inappropriate plant material here.) (This is usually said when said player has it explained to them, that even mordanting will not “fix” fugitive dyes.)
Here’s why you should scour, and pre mordant. Left to right: unwashed cotton, dye didn’t penetrate completely, many white spots visible, stiff as a f*****g board. Next, scoured only (soft as a baby’s butt!!!), no mordant, some colour uptake. Last, scoured and premordanted, deeper colour uptake. All were dyed in same pot of quebracho rojo, at the same time.
And please “but the colour is so pretty anyways” is not a good way to dye: the colours on the unscoured and unmordanted especially will/did wash out and will continue to do so, the scoured only will lose most of its colour with each subsequent wash, while the scoured and mordanted piece will keep its colour. And even “new” fibres that look clean need scouring.
Below cotton also, right scoured and mordanted, left scoured but no mordant.
A perfect example of what happens if you don’t scour properly, lesson learned in June last year:
I thought i had done enough on a new thread, but when i put them in tannin, this happened:
GREEN?????? I contacted Maiwa, my trusted supplier, and asked if perhaps it had been the soda ash in the initial scouring that had reacted (maybe not rinsed enough), as gallnut is a clear tannin, and stays to the “browner” tones after being used and stored. Nope.
This is rare but it does happen, but it is not from the soda ash. Fabrics are often pretreated and contain substances which can leach out or react with the mordant. When used on it’s own Maiwa’s gallnut extract is usually a clear/colourless tannin. I would suggest trying other cotton fibres from different sources and comparing the results.
I had to REALLY scour again, properly, to get the green out of the threads!
I have noticed since, that even tightly plastic packaged new thread can show brown, yellow and PINK (!!) dirt in the water after scouring. Don’t skimp on this step. Even “PFD” (prepared for dyeing) fabric in MY opinion should be scoured—a. it’s been “prepared” for synthetic dyes, and b. you don’t know how much it’s been dragged over warehouse floors, handled, packed or shipped. (MMM, someone had tacos for lunch and wiped their fingers on the silk. SHARESIES!)
I mordant EVERYTHING first. I *know* substantive dyes like indigo and walnut don’t require mordanting, but given that i use a lot of dyes that do need it, i’d rather have everything pre-done in case i grab the wrong chunk. Pre mordanting will not hurt substantive dyes. Some may be stripped out by a chemical indigo vat, but you should mordant again after indigo if you are going to overdye with another natural dye.
HOW to scour? Maiwa: https://cdn.shopify.com/s/files/1/1086/6542/files/natural_dyeing.pdf?2077475857497476456 NOTE: different scour methods for cellulose vs protein fibres. I use neutral soap and soda ash, or neutral soap and borax, or just neutral soap, depending on what i have handy, and depending on the fibre type.
HOW to mordant? Maiwa: https://cdn.shopify.com/s/files/1/1086/6542/files/natural_dyeing.pdf?2077475857497476456 I sometimes add a tannin step to protein fibres, not because they need it, but because they will extend the colour possibilities.
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