Pick, girl, the roses

“Collige virgo rosas”, a Latin phrase found serendipitously on my birthday yesterday–i’m a Virgo, though i don’t believe in that either :)–it loosely is a carpe diem style saying for young people, but any of us can stop and smell the roses.  This will be the second of the Ensphere series. (First was “Sotto voce” in a previous post.)

I fell in love with these velvet dots when i was working on some of my moons a few years back, and woke one night with a whole series in my head. Of course, in daylight, all i remembered was lots of dots and Latin. I’m no completely dotty Yayoi Kusama, or a minimalistic Judy Martin, both of whom i admire greatly, for/from different perspectives, or a very organic Jude Hill, another of my absolute favourite artists (I’m sure you all know who she is, an article i wrote about her here), and circles crop up an immense amount it seems in Women’s Work (as the trope is….). I think with enough years put into one’s work, one eventually experiments with simplicity, and this is my time.

It’s not just the tidy shape, it’s the colours, textures, depth and light effects.

My start:

Look at these colours, swoon, natural dyes on silk/rayon velvet:

Madder, cochineal, and quebracho rojo, threads of cotton, silk/wool blend and silk in cochineal, madder, quebracho rojo, and no doubt some indigo with tansy, solidago or osage, for greens.

Sotto voce part 2

After smashing our trusty Nikon D90 last month, i’m still trying to get used to the new Settings and Things on the replacement, a Panasonic Lumix FZ1000. Apparently i need to read the manual, go figure 🙂

The Nikon would allow me on the automatic setting to get the most beautiful daylight shots that showed texture, true colour and fine detail. The Lumix does fantastic close-ups on several settings, but the light effects are not the same. I suppose i should be thankful though that testing it doesn’t ‘waste” film, HA.

So, with 4 different settings (that i of course did not take note of), here’s “Sotto voce” again with different looks. None of them portray it properly, so i guess that’s this evenings reading, and tomorrow’s testing  on the to do list.

And those green dots are coming off, changing to the tawny fox and peachey colours instead. I have a few things more to do to it, and then it gets mounted, hopefully for a virtual exhibit. (If anybody from the fibre group i’m in ever answers my emails and FB questions that is………………………………….)

mad bad skills

Oh dear gawdz, are my machine skills ever SO very SO SO very very rusty and bad right now.

Or i could blame Lalage………..

My nodules in FM are CRAP:  changed the needle, changed the tension, changed the threads:  LOUSY.   Good thing i tested first rather than start on the real thing. I had pulled out my samples from Karin’s Extreme Stitch lessons and while i had taken copious notes, i couldn’t just couldn’t get the same results. I will spare you, but mostly myself, the embarrassment of showing the resulting snarls, twangles, danglish bits, squinched and borgled lumps sprinkled liberally with spit and tear stains.

I think i better hoop this time. And dedicate a COUPLE OF HOURS to practicing, something i OBVIOUSLY haven’t done in a good while…….

And now because i have to go to the Day Job at the fffFlower Mines, i will have 24 days left………………….

BAD WORD BAD WORD BAD WORD

Here’s a picture of a flower.

bear grass blossoms