12th Anniversary Sale!

Wow, how time flies! 🐦 I have spent the last 5 months working on myself and i think Self has learned some lessons and taken them well to Heart 💖
Imagine my surprise when i noted too that August of this year marks my 12th year as a natural dyer! I’ve learned so much from both my own experiences, and the wisdom of a few trusted and expert teacher friends from around the world: i love you Special Blossoms!
To celebrate this, i will be having a “12 days of the 12th FybreSpace Anniversary Sale”, starting August 4th and concluding on August 23rd. All fabrics and threads will be 15% off and all Art 30% off. My prices are in Canadian dollars, and as always, i refund any extra shipping paid.
New items will be added through the 12 days. Please share this as you can. Thank you too, all the Lovely Petals who have supported me and had/have faith in me in this journey of colour and knowledge❣️ FybreSpace, the shop, is here.

PS, i going to try to keep posting again, as *I* miss it!Now i HAVE gleaned ideas and techniques to try with other textile arts, kept up with my natural dyeing and do talk to a few people, but i haven’t made anything really since Christmas 2020, at least not that ever got finished. And i used to post very frequently, as much as 4 times a day in the beginning of my blogging (2003!). I used to be rather funny, then i got whiney, then i turned mean and antagonistic, and then i started reading a lot of books and had nothing to say for myself… Looking now i see i have posted only NINE times since the end of May last year………………………………………….

SO, i pledge to post at least once a week–if anyone cares anymore because most of us, self included— are busy on FaceBook, Twitter and Instagram than blogs now, but i miss blogging–it is/was where all the real work was shown, the sharing and the laughs, not just the dramatic staged “LOOK AT ME VALIDATE ME FOLLOW ME LOVE ME LOVE ME LOVE ME” photos with the short pithy or pleading messages—erk, i do love like them still, they serve their purpose for a variety of reasons.

beauty is… (and a shop update)

…in the eye–and in camera in this instance–of the beholder!

Here’s another thing i love about natural dyes: NUANCE. These two photos are of the same pack of goodies! Taken at different times of the day, the light conditions really show the subtlety of the colour components that make up each dye. Below, these are mixed batches of cochineal, madder and solidago. HOT CRAYONS!

I can “replicate” these in a sense, knowing what’s in the pot, but when you use “leftovers”, you can’t be sure of the proportions. Just/trust letting the pots do what they will, is much more satisfying. Oh sure, there have been a few Muddyduds along the way, but hey, overdye to the rescue!

One of the other delights of these deep colours is that they will last longer. I cringe when i see some of the weak pale colours that are an IG “standard”. Some of them *are* pretty, but they’re NOT going to last–to me it’s like putting 1/16 of a tsp of cinnamon in the cinnamon rolls–it’s discernible, but barely. Are people not aware of WOF, or are they being too cheap with it, or do they think it makes their pound of madder last longer which cuts their costs??? Here’s a perfect example, “madder dyed”:

How long is this going to last, under ordinary conditions of wear and light exposure, even under following “special care instructions”? I’ve seen clothing lines blithely calling this (and that photo specifically!) naturally dyed, and then producing multiples of the garment–that to me IS cheapness of production. Ever noticed that samples from extant collections are (for the most part) still VIBRANT, or at least very indicative of the original colour?

And yes, i DO sell softer colours, but they are NEVER as insipid as the above! There’s still a good percentage of WOF in my work 🙂

Anyhoo, that’s my two cents. I have other offerings in the shop as well, if you care to peruse them, and thank you again to all the Lovely Blossoms who have the faith and trust to support my small endeavours.

 

the PHD post (Piling it Higher and Deeper), and shop update

I’m not hoarding, but it’s starting to look like that in my studio: piles and slipping stacks of various fabrics and colours, snarls and twangles of thread in more fibres and colours, and nowhere to move or work!

There’s so much here that i will never use–and never mind how much UNdyed i have still to work through! I’ve been putting aside small packs for myself with the intention of Making, but this time i slipped in notes and sketches so i wouldn’t forget what was so all fired fascinating about the selection at the time 🙂

So….threads and fabric packs now in the shop!

A sampling:

Crazy still lives here

What a stream of sour months there has been in this household! This “normal” has not been. Teeth bared, claws unsheathed, hackles raised. No blood, no permanent damage, but learning that once a big trigger/doubt/fear/issue/worry is dealt with, there are probably a few more buried to deal too!

Suffice it to say, i won’t go into details, but with some help, things are getting back on track. Even the studio has seen a bit of activity this week. I’ve read over 700 books since May of 2020, and i think my brain is now sufficiently stuffed with enough words that i can focus my focus on Making things, Doing things. ANY Things creative! Sketchbooks have been dragged out, i took an online course on natural printing and the house has actually been “ret up” and is decent again.

I AM actually stitching again, hoping to show a bit of handwork, nothing special, but some prototyping and physical doodling at least. Christmas is not that far away and i’m not sure what’s going in the shop this year for the season!

To that end, i have new listings in the shop–i better have since “Somebody” ordered SO MUCH FABRIC this year!!!!!!!!!!! I’ve “started” again in there with a few scrap packs and some “fat quarters” that have been waiting since the beginning of Sept to be noticed and dealt with, but there will be much more listed as it gets done.

I love these larger pieces (a fat quarter is 18×22″), plenty of scope for making things from, or using as a base/background. In the shop at https://fibrespace.bigcartel.com/

 

Next on the list for embroidery ideas, LACE! From the ever wonderful Dover Books copyright free editions.

 

THREE days left for discounts!

My fabrics and threads are all naturally dyed, with historically accurate products and processes. The soft and supple natural fibres i use are perfect for hand stitching in applique, as embroidery bases, for cloth weaving, Boro, piecing and small projects like cushion panels, bags, inserts for clothing, wall art, textile jewellry and 3D forms.

THREE days (including today) left for SALE in shop. ENDS June 17/21.

Please read the sale listing for information on how to apply discount codes for each category. If you can’t make it work, discount will be refunded from your invoice. As always, any extra shipping will be refunded, whether from multiple purchases, or a single item. ———> The shop is HERE. <———  🙂
FybreSpace will be closed from June 18th until July 9th, for a much needed break. That means NO purchasing allowed at all until i come back, because i figure no one will want to wait 3 weeks for something to be shipped to them!
Summer is here and i need some summer 🙂 Have a great one, you Lovely Blossoms!
All listings available will be shown instead as “Coming Soon” as of June 18, and go live again on the 10th, so keep yer eyes peeled!

 

 

 

 

Summer SALE!

https://fibrespace.bigcartel.com/

Please read the listing itself for advice on how to add the discount code to your basket. Don’t add this listing to your cart A. that’s why it’s priced at a thou (as place holder!) and B. it has nothing in itself to do *with* the discount code 🙂

I will be constantly listing through this period, so keep checking back. Don’t miss out on what you want either though–whatever is already listed when you check, is all there is of that item.

 

Mossy Banks

Calgary has FINALLY greened up completely: no brown highway verges, leaves budding and fuzzing, flowers just starting to pop. I’ve been craving these fresh colours, and whipped up some dye pots to accomplish that as well!
All in the shop now 🙂
Luxe threads for stitching along and on Mossy banks! A mix of wool, silk and silk/wool in clear crisp greens and yellows dyed in historically accurate processes with osage and logwood.
 

 

What could be better than an amble along the riverside, finding little secret coves and mossy banks to sit on and dream? As the wind sways miniature willow stands, you daydream, floating in the clearness.

This pack includes silk noil, cotton velveteen and silk/rayon velvet, solid and streaked and mottled, with osage and logwood dyed in historically accurate processes, giving elegant calming blues and soft Monet mossy yellows and greens. (Note, threads are not included, just to give you an idea of depth of colour. Threads will be in a different listing!)

shop update, and silk working tips for stitch

Good morning, Blogland! (How many blog anymore anyways?) (How many people subscribe, then just let the email go to the spam folder?)

I’ve been in the last month or so, trying to keep the shop fuller with offerings, but that darn old “word of mouth” has meant most of my sales have been “offline” in a sense! I’m not complaining though as my naturally dyed fabrics and threads go further around the world 🙂

I have right now a listing for small “decks” of silk velvet in varied colourways. But wait, what? Silk is too difficult? NAHHHHHHH!

It *is* a slippery animal, but there are a few tricks you can use to wrangle it. I prefer hand stitching it, whether that’s piecing chunks together, or adding cut shapes as a form of applique. The simplest way to handle it is to underline/stabilize it with either a thin cotton (think lawn or fine muslin, harem cloth is too shifty), or if you prefer even more depth to your stitching, a piece of cotton flannelette. (Yes, that stuff your jammies are made of, your winter sheets, and the soft soft baby wear and diapers that Mae Junior is in.) When you stitch on this combo, the depth can get quite “crunchy” and shows more shadows and highlights because you are compressing the fabrics more—delish!

The diamond above has been backstitched then whipped, and gives you a very tactile surface, visually and haptically! You can also see the white cotton flannelette i used to back it for stabilization.

If you are piecing silk velvet, give it time 🙂 Pin, pin, pin–i use regular pins rather than silk ones but make sure yours are SHARP and fine. I use two lines of running stitch at the seams, with small as i can get stitches. Brush the right side seam line lightly with a soft toothbrush to fluff up the pile. (Note: i still stabilize for simple straight seams, it gives the weight it needs for handstitching the seams, and to prevent creases and bias distortion.)

Above pieced velvets in this moon for the background. Remember also to “open” your seams on the back (just finger press them, no ironing!!) or you will be stitching through 3 layers instead of 2, and possibly have a bulge or hard spot there.

Also pieced, a little more difficult with curves,but you can plan out and draw on the underlying layer to show the seamlines for stitching.:

Don’t plan on getting too intricate with the embroidery! Covering velvet densely (in most cases) doesn’t let the velvet work its magic, and isn”t that the point? Also, if you have to rip out stitches, be aware that there may be a visible line through the backing: sometimes you can hide it a bit with a damp toothbrush riff. If that doesn’t work, try to work in the same line with a different stitch/colour/ply, but keep it simple.

Are you champing at the bit yet? See the all five of the colourways available in the shop! Affordable, large enough pieces to play with, delicious combos!

 

By the way, these greens from mossy to deep moraine were created without indigo! A little dye magic in the pot with weld and logwood!

As always, i refund any extra shipping paid, whether on purchases of multiples, or a single.

And these are available too!

new threads, and the hunt for the elusive lavender

YUMMERS.

Below lac, brazilwood (sappanwood), and onion, and combos:

 

A comparison of the previously dyed onion:

Some of these will be in the shop, announcement to be made when listed 🙂 Obviously being as delicious as they are, i have reserved some for a special person: ME!

The onion gives greener tones initially, but there doesn’t seem to be much difference when overdyed. My lac and BW however were a stronger WOF for these babies, so deeper shades resulted. YUM!

These are from previously used dyebaths, after doing cloth. I don’t waste a drop! From Lac, the natural dye that shows up in searches as anything but a natural dye: lac, lac with iron, and eucalyptus:

These above are included in a new fabric pack in the shop.

And a combination of the two (because with natural dyes, purple/pink and yellow don’t always make mucky brown):

This image has an empty alt attribute; its file name is euc-and-lac-and-combo-b-1.jpg

 

I have had through my dyeing days (years now, wow!) ONE skein of lavender thread. I don’t remember what i used, but i suspect it was cochineal, and the thread was silk. I’ve been partial to lavender as an accent with rust and neutrals since the days when i first started all the hand stitching. The ones i used below are commercial, but there’s no reason not to try for a natural version. The purples and lavenders on the fabrics however IS natural, from Brazilwood, and i covet those various shades!

Mother’s Heart, 2013:

The a Difference Between A Plum, detail, 2013:

Strange Soul Take Flight, detail, in progress, 2013:

(2013 was a very productive year…..)

The Mini Goddess Moons, 2018, lavender leaves on 3 of them. (These are *completely” done in natural dyes, both fabric and threads.) I like the way the lavender gleams amongst all the stronger natural dye colours.

 I suspect it’s time to get the cochineal out and try weaker solutions to get that glowing shiny shade!

 

 

i’ve been shot! and other good things :)

Had my first Covid vaccination on the 13th and happy to report very few side effects, for me no more than a regular flu shot: bit of dizziness, sore arm and LOTS of sleep with LOTS of fluids. I’ve never been so excited to get a needle before 🙂 I was also lucky enough to get the Greyman booked before the system crashed so we’re rather happy Chez Stately Barr Manor. We’re still observing physical distancing and masks though, as we ain’t stoopid. Honestly, it feels strange *not* to mask up when out and about.

I’ve been farfing around with some new natural dye colours —-LOVE Lac for its wide range of reds, purples and pinks, similar to my Quebracho Rojo results, but feeling somewhat warmer on the colour spectrum. I also simmered up a batch of dried out eucalyptus that i bought way back in August of last year, set on a shelf in some water and then promptly forgot it was there/anywhere—this is the first time i’ve got some warm yummy sunset-ty orangey yellows and am just in love with it. Of course, the next batch i will buy will be different! I’d tried previously and got a rather insipid butter so am rather chuffed with this batch, especially on the cotton lace trim. I think it will go nicely with some of the indigo dyed lace, cotton or rayon, and silk on the first wearable art piece i’ve planned. (That got sidelined a bit with Life Happening, but i have a desktop photo to remind me how much i love the idea, and to GET TO IT!

 

I wanted to use the open eyelet trim i had used on “Tower to the Moon”, partially shown in the mock up photo above, but haven’t quite enough so will go for the more flowery one i just dyed–still very very pretty!

Remind me to rev up the indigo again………..

I’m trying to build some purple vocabulary with the Lac–i desperately need some purple family threads myself, and am hoping to get some in the shop as well. (And other colours there too as “demand is increasing”, as they say 🙂 )

I’m learning with/about a new mordant as well: Symplocos, a plant that is an alum accumulator, so we’ll see how that does too.

 

As to the shop, i have finally decided to “standardize” the size of fabrics offered. My velvets have always been either 6×6, 6×12 or 12×12, and i think that’s the way to go–6×6″ are small enough pieces to offer a variety for a reasonable price and be big enough to use and appreciate, and the 2 larger sizes (still very reasonable 🙂 ) for more impact in your work. I cringe sometimes (OFTEN) when i see the mingy bits some offer for a lot more coin (and in US to boot) and with no identifying dyes listed, just “botanical/plant/natural/vegetable dyed”…………

I’m also very pleased to let you know that i am now on Jude Hill’s approved list of trusted resources  for fabrics and threads.