The second figure for this piece has been a bit problematic. The original sketch’s colouring (above centre right) did not translate well the first time to the haremcloth—too green, too dark. The sampling (above centre left) was actually done before the large attempt at the stitching, but i lost sight of what it was and didn’t go to the now aborted attempt with it.
I’ve gone back to the idea of the stitched sample (which will become a small piece on its own, as i quite like it), for the colouring and the “flavour”. Less is more.
I however DID like the stitching i did on the first, so will be doing that again.
The tapestry frame worked a dream for stretching the expletive deleted haremcloth, keeping it taut and 99% on grain. I’m sure any nun or lace maker would agree that the 1% should be more important, but considering the piece when done will be loosely attached to the main background, subtle stitch manipulation will true it up.
I stitched it to both sides, then flipped it over and stitched one end because there was enough overlap, but the other end had to be stapled because there wasn’t enough at the end to fold over. Poohpoohpeedoo, it worked.
Now we’ll see if i can work it this way, as i am unused to hooping of any sort, except on the very very rare occasion. I suspect i’ll be propping it on the edge of a table, and working stab fashion, instead of my usual fold, borgle, crumple method.