I don’t know WHAT it is about this piece that keeps stalling work. I LOVE the idea, the form, the work so far (with a few minor colour quibbles), but she’s been pinned to the design wall again for 6 months with no more stitching done.
She started like this, created during my ACAD residency in 2016:
In August of 2017, she had this much (little!) work done on her:
Rolled up and stuffed away, until i got ruthless in October of 2018 and cut her into pieces:
She got this treatment also in October of 2018: body dyed in osage, wings in madder (the iron on this really purpled it!), and the background tossed in a weak indigo vat. (The iron of course affected the osage as well, browning it, which is okay because a bright yellow body would be NFWay 🙂 )
In November, i start stitching the wings and the thread colours really livened up that dark purple:
And the finished wing (mocked in crudely) had ZING when backed with some of my naturally dyed silk velvet:
The second wing was done in November also, but is STILL not attached to the velvet backing. SIGH.
But, looking at her last week, the background still seems both dark and weak at the same time. So, i got brave again–because it took some teeth gritting and hoofie crossing when i cut her into pieces the first time—pulled the background off its stabilizer, mordanted the cotton with tannin and alum because even though gawdz knows there’s already a lot of iron on it, cellulose fibres do better taking up dye with these premordants, and threw it in a fresh pot of the 34 year old madder.
Wow, the hexes shrank.
This has been scoured, rusted, washed, dyed, washed, mordanted, and overdyed again, so why now? Ah well, just means more beautiful fabrics behind the hexes, peeking out.
And of course, part of me is incredulous that all the rust and cream coloured fabric is now “gone”, but that’s how it goes. Because you know what? She has a sister! (I did TWO pieces like this during the 2016 session.)
I’m thinking too, her body is much like a husk at the moment, but husks hide secrets that are revealed through peeling away layers. Things escape husks as well, corn silk, seeds, errant old petals. We’ll go with that and see how she evolves there:
(Something else i realized too: if and when she is ever finished, this will be the first big piece i have done with all natural dyes, from fabric to threads.)
Bets on when she actually soars?